- April 3, Navaratri with Yogi Matsyendranath Maharaj, Australia, Queensland
- March 17, 2020. Purifiying Pranayama With Yogi Matsyendra Nath
- November 2019, Tantra Workshop Series in Argentina
- Workshop in Gualeguaychu
- 17-18 November 2018, Yogi Matsyendranath in Źarate (Argentina)
- 15-16 November 2018, Yogi Matsyendranath visit to Uruguay
- 12 Nov 2018, Lecture at USAL (Salvador University)
- 10-11 November 2018, Workshops in Quilmes and La Plata (Argentina)
- 8 November 2018, Open conference in Necochea (Argentina)
- 2,3,4 November 2018 - Participating in XVI Retreat International of Yoga and Meditation
- Programme in Québec (Canada) 13-16 June
- Melbourne Book Launch
- 4-years Summer Program
- Biography of a Russian Yogi
- November 2017, Visit of Yogi Matsyendranath to Argentina
- Satsangs of Yogi Matsyendranatha Maharaj in Berlin
- Seminars and trainings in June-July 2015 (France)
- Diwali festival on October 23
- Kali Jayanti 16 October
- Interfaith teaching and meditation
Color, coloring (including worldly passions), desire, attraction, passion, attachment.
In yoga, it is one of the five kleshas, obstacles to spiritual liberation. Attraction (passion) is inextricably linked with pleasure. Only having experienced pleasure from this or that object or action, the jiva, or rather its mind, forms such a klesha as raga. Thus, raga is a klesha that leads to the accumulation of the karma of desire for sense gratification.
In Kashmir Shaivism, raga is one of the 36 principles of reality (tattvas). This is one of the kanchukas, the so-called coverings that limit the soul. Attachment limits the property of the perfect fullness of God. Raga forces the jiva to be attached to the five subtle elements (tanmatras), and on grosser levels to specific manifestations of the universe, ignoring or denying everything else.
In the context of bhakti (especially in some traditions of Vaishnavism), raga has a positive meaning, representing attachment to the Supreme, devotion (for example, rāgātmikā bhakti – devotional service out of spontaneous unconditional love).
In Indian music, raga is one of the central concepts; it is a melody built in accordance with the classical canon. Each raga is meant to convey a specific emotion or mood (rasa).