News
- Satsangs of Guru Yogi Matsyendranath Maharaj in Brazil, 2024
- Guru Yogi Matsyendranath Maharaj's Programs in Argentina, 2024
- 21-day Pranayama challenge
- Pranayama workshop, Mar 1-7
- 21-day Pranayama challenge
- Nāda meditation workshop, January 8-12
- April 3, Navaratri with Yogi Matsyendranath Maharaj, Australia, Queensland
- March 17, 2020. Purifiying Pranayama With Yogi Matsyendra Nath
- November 2019, Tantra Workshop Series in Argentina
- Workshop in Gualeguaychu
- 17-18 November 2018, Yogi Matsyendranath in Źarate (Argentina)
- 15-16 November 2018, Yogi Matsyendranath visit to Uruguay
- 12 Nov 2018, Lecture at USAL (Salvador University)
- 10-11 November 2018, Workshops in Quilmes and La Plata (Argentina)
- 8 November 2018, Open conference in Necochea (Argentina)
- 2,3,4 November 2018 - Participating in XVI Retreat International of Yoga and Meditation
- Programme in Québec (Canada) 13-16 June
- Melbourne Book Launch
- 4-years Summer Program
- Biography of a Russian Yogi
Dhvani
Dhvani
ध्वनि dhvani"sound, tone, echo, hint"
1. In Indian linguistic philosophy, dhvani are changeable physical sounds, as opposed to the eternal sphota and shabda. According to Bhartrihari, dhvani means "sound" or "phoneme".
2. In Indian raga (musical art), dhvani means both the sound itself (meaning any non-articulated sound: whistling, laughter, crying, sounds of nature, musical instruments, etc.) and what makes the sound. According to the concept of raga, all sounds always exist, in an unmanifested form. And dhvani is the carrier of sound, thanks to which the sound vibration is manifested (released) in the manifested world.
3. In Indian poetics, dhvani is interpreted as a hint or suggestion. According to Anandavardhana’s ideas ("Dhvanyaloka", 9th century), artistic enjoyment of a literary work is achieved not by images created by the direct meaning of words, but by the associations and representations that these images evoke. Thus, the expression of dhvani was carried out through a language game, the purpose of which was to awaken in the reader (viewer, listener) a special rasa (taste, feeling, emotion), which could not arise through the direct meaning of words or images.